Been really enjoying the old Konica Hexanon lenses lately. There's something about them that's building my loyalty to the brand. There's a sharpness to them, no matter the camera used.
âHere's a selection of photos I've taken over the last couple years, using a few specific lenses. And I think I'll post a few lens-specific posts later on.
Here's the 57mm F1.4:
Here's the 50mm F1.4:
The 24mm F2.8
The 52mm 1.8
The Konica S2 Auto's 45mm F1.8:
I picked up this Konica T3 from a thrift shop. It had markings inside that said it was once owned by Brian Minter.
I like it a lot, but I feel like it will take a while to master it. The indoors shots I took with the camera seemed to work best, for now. It's also the only SLR I have that has a wide angle-ish lens, which might explain why the indoor shots worked so well. I need to learn to fight the greys for the outdoor ones..
I picked up the Canon AE-1 from a guy on a Facebook group. It's a solid little camera with a working light meter. I love the photos it takes, but can't seem to quite hold the camera level most of the time. I need to figure out what's going on there.
A few months ago, I got a Konica S2. I love this thing. Its photos seem astoundingly crisp and it seems to capture light in a unique, earthy way.
Here are some of the photos I took with it the first time around, using some trusty Kodak Gold 200 from Wal-mart.
Two months ago, I resolved to write a song a week and write a blog post a week. I guess I need to admit that I've failed at those resolutions. Nonetheless, just because I haven't made my resolutions doesn't mean I've been unproductive: I've written six or seven songs so far and I've had about five blog posts since then. So although I haven't met my resolutions, I've made a couple steps forward.
Motivation is still pretty tough. I'm supposed to do the Hope 10k run on March 18th, but my running habits haven't really kicked in; I'm struggling to keep up at work even though I have dramatically more time to get work done this semester; I'm reluctant to call people up or do anything social if I have a night off. I don't feel depressed but I'm likely showing a bunch of the symptoms of depression.
I'm been enjoying film photography more regularly. I have too many cameras on the go right now; some of them still have photos from my visit to Smithers in December on them. But even that's been a tough hobby to maintain when I'm barely getting out of the house or leaving Agassiz. But here are some highlights from a roll of Ilford HP5 with photos that I took between December and February:
Now back to work.
A month ago, I found this lovely vintage camera at Value Village. It was clean and sturdy and I knew nothing about it. I was excited.
I tried to look up infomation about it online but couldn't find much.
The further I got into the film, the more difficult it got to crank the spool. Eventually the camera seemed to seize altogether. When I opened it in the dark, I discovered that the film had wrapped around the sprocket a second time and that it was stuck. I had to destroy the film in order to remove it from the camera. (lomo note: I realized I could have reloaded it into a different camera that loads its photos backwards, perhaps the Canon EOS500 but I realized that too late to make it useful. I know for next time.)
So I started over again. I loaded a new roll of Kodak Gold 200, but the photos started to slip again. I reopened the camera and used electrical tape to make sure the film stuck to the spool.
I started shooting here and there and it seemed like it was going smoother. It still felt like it was slipping now and then, but overall it seemed to be working fine. By the time I got to photo 28 on a 24 exposure roll, however, I knew something was wrong.
I took it into London Drugs and got it developed. When I got it back, the camera had only made exposures up to the 20 exposure point. They were all overlapped and weird and ineffective, particularly at the end of the roll that looked like a five-inch panorama of chaos.
But some of them were kind-of successful kitsch photos, like this selfie:
And this photo I took in Ikea in Coquitlam is really nice, even with the faint double-exposure of a Sports Illustrated swimsuit calendar.
So I don't know what to do now. What type of film do I put in a camera I can't trust? And when's the most appropriate time to use it? I have no idea right now. The rangefinder itself is broken and it doesn't spool its film appropriately, but when it works it seems to be pretty classy.
Here are a few more from the roll.
UPDATE FROM LATER THAT EVENING, FEBRUARY 20 2018: I loaded it with some more Kodak Gold, hoping that third-time-around I'll be able to sense if it's winding all weird in there. Fingers crossed.
YouTube: ephemeral ideas
Amazon | DailyMotion
DeviantArt | Duolingo | Flickr | FVRL | Kik
LinkedIn | MeetUp | MySpace
Playstation | Reddit | Snapchat
Spotify | The Internet Archive
Tinder | Vimeo | VK | WattPad