Just saw this article from Rolling Stone: "Jewel-Box Heroes: Why the CD Revival is Finally Here." I concur with pretty-much all of it. I'm still a CD consumer and love my rather enormous collection of CDs and I'm glad to see the industry continuing to use the format. A couple paragraphs from the article that stood out to me, that I felt like I could respond to: But it’s an inarguable fact that music sales reached their all-time peak when the CD was king. No audio device did a sharper job of separating fans from their 20-dollar bills. People loved to buy those digital discs, in numbers that look crazy now. We all spent the Nineties going to the “record store” (“CD stores” never existed, even though most record stores had no vinyl), browsing the racks, taking something weird home, listening all the way through. You invested time and emotional energy, instead of giving up quick as you do with streams. The disc encouraged you to turn off your “meh” reflex and let yourself hear whatever weird shit was going on. It got fans hooked on German psychedelia, Japanese prog, West African soukous, Kingston dub. I have so many good memories about going to the CD shop, the A&B Sound in Victoria, for example. You might well ask, “Why should ‘70 minutes of music in one place’ mean a damn thing, compared to streaming?” The answer might be that streaming is not a “place,” but a barrage of constant options that many fans find less optimal when you’re in the mood to actually concentrate and listen. You’re probably also streaming on a device that’s nagging you about messages you need to answer right now. Like the physical book, the physical disc just transports you deeper into the story. I have Spotify and I'm grateful to use it. There are many songs that I don't have on CD that I can find on Spotify really easily. Spotify has been a great way to confirm the music I enjoy. Without Spotify, I probably wouldn't've discovered Betty Davis or
But there are also some CDs I own on the shelf that aren't on Spotify: Pierce Pettis' Chase the Buffalo, or Ray Condo's Swing Brother Swing come to mind. A few years ago I had to lead my youngest daughter through the process of opening a plastic CD jewel case. It seemed strange to think that she had lived 12 years with me and still had not learned how to do this activity that seemed so essential to my own childhood. By the time I was 12 years old, CDs were around enough for me to figure them out. And they've been a key part of my life ever since. At home today, I always have a few CDs on the go. They are the best medium for dinner music: they're mixed well and there are no surprises. CDs sound excellent, and they have a nice little booklet full of fun information. Lately I've been collecting Time-Life and Putumayo CDs in order to expand my dinner music ability. It's a joy to find a new CD, whereas most of the songs I learn from streaming and Shazam... they slip away. And they're still pretty cheap, which is nice.
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I've recently really enjoyed Pat Finnerty's "Why does this song stink" videos on YouTube. I love not only that he agrees with many of my biases about why certain songs "stink," but I also really appreciate the creativity by which he builds his videos. They are deliberately lo-fi with various basic animations and simple jump cuts.
He's done excellent videos about "Hey Soul Sister," "Don't Tell me How to Live," and "All Summer Long," but his best tour de force so far is the "Kravitz Bowl," a hilarious hypothetical "football game between two bad songs."
Finnerty's videos are wonderful if you have specific techno-culture-based taste in music. I think it's safe to say that most people who play guitar, really love pop music, dislike Train's music, found "Kryptonite" insufferable, or were bewildered by Warren Zevon's presence on "All Summer Long" will enjoy his videos. Finnerty's clear love of music and willingness to create in-depth videos about why some music doesn't quite work, well, I appreciate that effort. I remember first hearing Train songs, or "Kryptonite," or both Lenny Kravitz's "American Woman" and "Fly Away;" I thought, Something's wrong here. Something's off. And Pat Finnerty seems to be able to put into words just what's so off about that sort of corporate-driven bland music.
In addition, Finnerty appears to have a real knack for getting people involved in his videos. These videos are masterclasses in being friendly and inclusive with the people in your community, in making them feel connected to your projects. He appears to have a knack for getting people on board, even the likes of Dave Grohl. His empathic extroversion is seriously admirable. Cheers, Pat. I feel as if I'm suffering from a creative block right now, both in music and photography. I've gone through this sort of thing for a very long time, but it feels rather acute right now. I can't seem to conceptualize anything: no visions for interesting photographs, no melodies or lyrics to work with. I don't want to dwell on the problems of creative block, though. I'd rather try to pin down some solutions.
In no particular order:
I miss creating. I miss feeling like I wrote a worthwhile song, or took an interesting photo. Here's to hoping that, as the days get longer, my creativity can flourish again. |
Musician.
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September 2024
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