When I lived in Egypt, within the first couple months I'd grown pretty sad that I didn't have a guitar. My wife graciously allowed me to put some of our earliest cash towards one, so we went down to Mohammed Ali Street in Cairo and I bought the guitar you see below: an Axl Badwater. I think. I mean, it's not like it came with a label or anything. But I think it's a Badwater of some sort..
I took it apart and planned to carve it up a bunch, but like most of my guitar customization plans, I still haven't made that happen. I thought I'd brought home a unique guitar, but found a very similar one in a guitar shop in Victoria. That kind-of took the wind out of getting it ready to rock.
So yesterday I put it back together and walked over to Long and McQuade and bought some regular old nickel-wound strings for the first time in a decade or so.
I fiddled with it a bit, but didn't quite want to plug it in yet.
But after a lone "heart" from Tinker McJingles, I decided to make sure I made the promised video.
It's not entertaining, but I have to admit that the guitar sounds better than it ever sounded in Egypt. That's partly due to the brand new strings, but definitely also due to the fact that I'm using my Marshall now. Middling guitars can sound pretty good with new strings and a good-enough amp.
It's not an overly comfortable guitar, at least in comparison with The Crow. But it's sure nice to play with a humbucker for once. And it could be a lot worse. And, as I've learned with most of my judgement calls, there are millions of players who will make this guitar sound much, much better.
Sounds great with that distortion and tremolo.
Two Fridays ago, my wife took this photo of me practicing at band practice. I think it's pretty good. So here it is:
A couple notes about the photo:
Last night while jamming with Adrian, I put together a basic I-IV bassline on the JamMan. I then started fiddling with the knobs on the green Line 6 Delay Modeling pedal and found this ridiculous, nearly space-like effect. Thinking it was funny, I played a little with it, but tired of the tone in moments.
When I bent down to change the tone, however, Rosita was laying down, nose to the amp. And she kept laying there as if she was totally and utterly invested in the tone. It seemed to soothe Rosita, who is, on any given day, as neurotic as shit.
Yes, I'm fully aware that I'm a boring product reviewer. But the tone's all that matters here.
Here's my first Pedaltrain setup. It's not pretty, nor wide as a church door, but 'tis enough.
So what to do with that empty space? Perhaps a Compression/Sustain pedal of some sort? Perhaps a more dependable delay pedal? I won't be able to afford new toys any time soon, but that space on the top left certainly calls out to me.
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